Table Manners by Jessie and Lennie Ware

Cover of Table Manners by Jessie Ware and Lennie Ware

What’s the USP? The hosts of the hugely popular Table Manners podcast bring together popular recipes from the series, alongside homespun family favourites and a smattering of traditional Jewish dishes.

Who are the authors? Jessie Ware is a critically-acclaimed pop star with four albums under her belt. Lennie is her mum – a joyful presence on the podcast, where the duo have celebrity guests over to dinner in their South London home. The podcast has had a regular presence on the charts since launching with guest Sam Smith in November 2017. Since then, they’ve hosted around ninety episodes, featuring pop stars, actors, politicians and plenty of famous food writers.

The show makes the most of Jessie and Lennie’s irresistible chemistry – the loving bickering between parent and child, their mutual reverence for home-cooked meals, and the occasional awkwardness that comes from having frank, relaxed conversations whilst your mother is present (a recent episode saw Aisling Bea explaining the difference between ‘doggy style’ and ‘dogging’ to an endearingly curious Lennie).

Is it good bedtime reading? There’s not quite enough here to call the Table Manners cookbook bedtime reading. There’s a relatively lengthy intro by Jessie (which has that distinctive writing style usually seen in celebrity biographies – easy to read, but informal and a little… ghostly) and a significantly briefer intro by Lennie (which is exactly as straight-forward and dryly sentimental as your own Mum’s occasional Whatsapp messages).

Beyond that, there are short chapter introductions from the duo, as well as brief descriptions ahead of each recipe, which Jessie and Lennie take turns to do. There’s no real depth or insight in most of these – at least, nothing that fans of the podcast won’t already have heard plenty of.  Curiously, then, for a celebrity cookbook, Table Manners real draw is the recipes themselves. Now that’s a pleasant surprise.

Why’s that, then? Because – and there’s a little generalising here, but bear with us – celebrity cookbooks are generally a bit crap. For the most part, they’re built around the cult of the celebrity themselves and, with so many celebrities living intensely regimented existences, the recipes tend to be basic, uninspiring and intensely worthy.

Pop star cookbooks in particular tend to be soulless collections of healthy bean stews and endless salads or, in the case of the curious sub-genre of cookbooks by rappers, big portions of American stodge. It’s rare to find a book that is filled with genuinely tempting recipes, foodie knowledge, and a true representation of the author’s personal food culture.

There have been, of course, a couple of exceptions to the rule. Action Bronson’s Fuck, That’s Delicious has been widely lauded, and Kelis (who happens to be Cordon Bleu trained) has, in My Life on a Plate, created a book that genuinely deserves a place on any bookshelf. But titles like these are few and far apart. That Table Manners might well deserve a spot alongside them is a decent feat.

What will I love? Though the two authors don’t really show their personalities off in their writing, they absolutely shine through their dishes. On the podcast, Lennie’s cooking, in particular, often sounds absolutely irresistible and it’s nice to see that come across here as well.

In keeping with the show’s premise you’d be proud to serve any of these dishes at a dinner party. Despite Lennie’s frequent hesitancy towards vegan cooking on the podcast, there are plenty of options for vegans and veggies alike throughout the book.

The highlight of the entire collection is a chapter dedicated to the Jewish dishes that have played a big part of family life over the years. Lennie’s chicken soup has found a cult following of its own since Table Manners started three years ago, and it’s showcased here alongside brisket, gefilte fish and the most alluring chopped liver I’ve ever seen.

What won’t I love? There’s not much to call this book out on. The crisp, bright design does have a distinct air of a ‘clean-living’ cookbook, but there’s no proselytizing here – in fact, though many of the recipes might fit the mould, you’d likely not even think about it if the design didn’t so frequently echo that of an Amelia Freer or a Hemsley title.

Should I buy it? Table Manners is a lovely collection of recipes – bright, delicious dishes that capture the heart and soul of the podcast and its stars. The excellent selection of Jewish recipes will offer many readers insight into a cuisine they might not have explored before. It isn’t a vital addition to any shelf – but it still has plenty to offer.

Review written by Stephen Rötzsch Thomas a Brighton-based writer. Follow him on Twitter and Instagram at @srotzschthomas.

Cuisine: European/Jewish
Suitable for: Beginners and confident home cooks
Cookbook Review Rating: Four stars

Buy this book
Table Manners: The Cookbook
£22, Ebury Press

Cook from this book
Turkey Meatballs in Tomato Sauce
‘Triple Threat’ Chocolate Brownies
Chicken Soup

What is Cooking by Ferran Adrià and elBullifoundation

What is Cooking Ferran Adria

What’s the USP? This is not a cookbook and there are no recipes. According to the authors, it’s ‘a compilation of the connected knowledge needed in order to answer the question: ‘What is cooking?’. According to me, it’s nothing less than an intellectual land grab by one of the world’s most famous chefs in an attempt to place himself at the forefront of the study of cuisine and gastronomy as a formal academic subject.

Who is the author? Ferran Adrià is one of the world’s most famous chefs. Along with his brother Albert, he is the architect of what is commonly known as ‘molecular gastronomy’ but which Adrià refers to as ‘techno-emotional’ cuisine.

He closed the doors of his restaurant el Bulli back in 2011 and has since dedicated his time to the elBullifoundation, which, the website says is ‘a private, family-run foundation, promoted by Ferran Adrià and Juli Soler. Established on 7 February 2013, it came out of the need to transform elBullirestaurant, with a vision based on the desire to continue promoting innovation and creativity through the language of cooking and to preserve the legacy and spirit of elBulli for society’.

In practice that means publishing books, mounting exhibitions, the production of a documentary series about el Bulli restaurant, consulting services and whole raft of other projects including the development of educational courses. The one project that Adrià has been talking about almost since the day elBulli closed is the launch of elBulli1846, the re-purposing of el Bulli restaurant as ‘an exhibition lab’ for ‘studies, investigation and experimentation to generate knowledge around the theme of efficiency in innovation’. Although the website explicitly says that elBulli1846 is not a restaurant, that has been talk in the past of some food being prepared and served there, but no one seems to know if and when that will actually happen and if it does, who gets to eat it.

Is it good bedtime reading? Put it this way, there is a lot to read but it might keep you awake all night puzzling out just what it’s all meant to be for. To take an example, in the 48 page introductory section (broken down into a pre-foreword statement, a foreword by Adrià himself, a one page summary, a ten-page descriptive index and a 25 page introduction) you will find a flow chart that explains that, if you want to run a business that generates a gastronomic offering you will need a team of professionals from the sector that have a business culture and that they will need resources for different systems including storage tools and plating tools. In other words, if you want to run a restaurant, you need trained chefs who want to earn money and they will need things like fridges, tongs and spoons. The book continues in this vain, finding complex, opaque ways of expressing very simple and common ideas, for much of its 400-odd pages.

For example, in Chapter One: Let’s Start by Understanding Lexical-Symantic Aspects, you’ll ‘discover’ that ‘not all liquid is a beverage’ and that sometimes it’s food in a liquid state. Congratulations, you now know what soup is. You’ll also find out that 19th century food writer Brillat-Savarin ‘devoted his life to the tasting and enjoyment of food in different settings, which suggests a concept of alimentation that was not limited to survival, but that encompassed hedonism and recognized quality’. I hope you were sitting down for the earth-shattering revelation that people sometimes eat for pleasure.

In the same chapter, you’ll also find the definition of a word used no less than 913 times in the book- ‘elaboration’. Adrià would like you to use the word in place of cooking because ‘helps to give a more specific understanding of a stage within the culinary process’, which is a bit like trying to force your friends to call you by a nickname you’ve coined for yourself. However, Adrià is such a respected figure in modern gastronomic circles that he might just pull it off. Start practicing now if you want to be in with the cool kids, ‘I’m just going to elaborate this Aldi frozen minced beef pie in the heat supplying apparatus that is located within the area dedicated to the preparation of elaborations’. See, it’s fun!

Let’s for a moment imagine that it’s acceptable to take up 85 pages of a 464-page book introducing your subject and defining your terms. It might be then not unreasonable to expect that by chapter three you would be getting to the meat of the subject, that the author would be communicating some information, some facts from their research or at least some opinions or philosophy. And yet on page 97 we are confronted with this piece of spectacularly circular nonsense, ‘We can speak of interpretative creativity when the creation corresponds to the skilful interpretation of other, already existing creations. Whether or not this can be regarded as a level of creative outcome is a matter for debate, as it is a very subjective question.’

But there must be some concrete answers somewhere in the book, surely? How about in the section titled ‘We suggest several main criteria to discover the types of cooking a cook or a restaurant does’. Let’s take Adrià’s own dish, Pea Spheres. Here’s some of the things I ‘learned’ from reading about how it’s classified under 17 different criteria: it’s hedonistic food designed to produce pleasure; it’s an elaboration with food use; it’s an elaboration for the savoury world; it’s served in a fine dining restaurant and designed for customers of middle to high class social profiles, the working classes need not apply; it is an elaboration from a professional kitchen but amateurs with a spherification kit could reproduce it; it’s of the highest level of quality, sophistication and refinement, it is no less than creative culinary art. So, what do I do with that information? How do I apply that to the real world? If I use those same 17 criteria to analyse and categorise the fish and chips I’m having for my tea tonight, how will that change anything. I already know its savoury, it’s working class, it’s not particularly sophisticated and I could make it at home, but I can’t really be arsed. The process seems to be pointless.

But surely, Ferran Adrià and his multi-disciplinary team haven’t spent the last decade producing something of absolutely no value, have they? One last chance. Let’s read ‘As an action that is repeated over time, cooking generates consequences’, a chapter that views cooking from an historical perspective. The first line is ‘History is the time frame in which ‘everything’ happens.’ It’s not looking good is it? Anyway, let’s persevere. What does the book have to say about the Neolithic period? ‘With the Neolithic period came permanent settlements, and this sedentariness brought about sedentary cooking. Gradually, as a result, specialization emerged, with different elaborations giving rise to specialized cooking.’ That’s pretty much it. No specific examples of what the different elaborations or specialized cooking might actually be. It’s time for me to stop this. I’ve gazed long enough into the Adrià abyss. I can feel the Adrià abyss gazing back into me.

What will I love? I particularly enjoyed the infographic titled ‘The chef model: cooks, periods, styles and movements in contemporary fine-dining cuisine in western society’ which lists some of the biggest names in western gastronomy since the turn of the 20th century including Escoffier, Fernand Point and Alain Ducasse but reserves the largest font size on the page for the names Ferran and Albert Adria. History is always written by the victors.

That aside, the book looks great, and, er, that’s about it.

What won’t I like so much? In the introduction, the claim is made that ‘In spite of the large number of publications dealing with cooking or cuisine, we were unable to find any that offered a direct response to our seemingly simple question.’ One has to assume that eBullifoundation is including in that rather sweeping statement authoritative works such as the 1350 page Larousse Gastronomique (which in fact does have a page-long entry on the term ‘cooking’), the 900 page The Oxford Companion to Food (it too has entries on the terms ‘cook’ and ‘cooking), Grand Livre de Cuisine d’Alain Ducasse and Le Repertoire to mention just a few. Set alongside those august tomes, the book singularly fails to justify its own existence.

I admit I may have missed the point, that I may not be sufficiently intelligent to understand how the Sapiens methodology works. Other readers, who may well be more sophisticated and erudite may possibly get a great deal from it. At the time of writing, there has been no other meaningful published review of What is Cooking (i.e. where the reviewer has actually read some or all of the book) and I don’t know anyone who has bought a copy and publicly expressed their views. I can’t imagine anything but praise from Adrià’s peers so the critical jury is currently out. You’ll just have to take my word for it at the moment.

Should I buy it? It’s £100. If you’ve got that to spare, if you wouldn’t miss it at all and if you are the world’s biggest Ferran Adria fan, then go ahead. Otherwise think very carefully before you are parted from your money. If you work in the fine dining sector, it’s worth considering whether you will actually learn anything of value by wading through 464 pages of powder dry theory. Will it help you do your job better? Will your understanding of the craft of cooking and cuisine have increased in a way that you can apply in a practical way to your business? Because there is very little pleasure to be derived from What is Cooking. In truth, this review has been an unpleasant ordeal, a tiresome bore and I wouldn’t wish the experience on my worst enemy, of which there are many and to which I’ve probably just added one more.

Cuisine: International
Suitable for: Professional chefs
Cookbook Review rating: 1 star (for the design)

Buy this book
What is Cooking: The Action: Cooking, The Result: Cuisine (FOOD COOK)
£100, Phaidon

Summer Pear by Ana Roš

Ana Ros cookbook summer pear

When I was a kid I was addicted to the summer pears in my grandmother’s garden overlooking the seaside. These are green, sweet and delicate.

Serves 4

For the nasturtium granita

80g sugar
15g glucose
2 soaked gelatine leaves
100 g nasturtium leaves
10g oxalis

For the poached pears

200 g summer pears
100 g butter
35g honey
10g salt

For the blackcurrant coulis

700 ml blackcurrant juice
70g sugar
8 g agar agar

For the whey coulis

100 ml whey
20g honey
5g gelespessa

For the whey ice cream

875 ml whey
25g glucose
375 ml cream
200 g sugar
5g super neutrose
420 g egg yolks

For the caramelized white chocolate

100 g white chocolate

Boil 450 g water, the sugar and glucose. Add the gelatine and cool it down.

Blend the nasturtium, oxalis and cold base. Freeze it and stir every 5–10 minutes.

Clean and halve the pears. Melt the butter and add the honey. Vacuum bag the pear with butter. Cook at 62o C (144oF) for 15–20 minutes.

To make the blackcurrant coulis, com- bine all the ingredients and boil. Cool it down, then blend.

To make the whey coulis, blend all the ingredients together.

Boil the whey, glucose and cream. Mix the sugar and super neutrose. Add the sugar to the cream and whey. Pour everything over the yolks and cook all together to 82oC (180oF). Strain.

Bake the chocolate in an oven at 160oC (320oF) for 6–8 minutes.

To serve, cool the plates to -5oC (23oF). Pacojet the ice cream. Take a frozen plate and plate the 2 coulis and the caramelized white chocolate. Centralize the ice cream, cover with granita, compose the pears and finish with 2 spoons of granita.

Cook more from this book
Bread
Goat Cottage Cheese Ravioli

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Buy this book
Ana Ros: Sun and Rain (Food Cook)
£39.95, Phaidon

Bread by Ana Roš

041 bread

My sourdough was born four years ago.

I fermented apple peels with some flour and spring water. The first bubbles hap-pened pretty late because it was January, and our apartment is never really warm. The first bread was miserable and even today, the bread sometimes gives us unpleasant surprises. It is a living thing –it suffers from rain and sun – and even flowers around Hiša Franko and pollen in the air may change it completely. Breadmaking for me is one of the most fascinating and challenging moments of the kitchen. And it is also very rewarding.

Makes 8 loaves

1.8 l water
480 g sourdough starter
120 g honey
720 g roasted khorasan flour
1680 g strong (bread) flour
120 ml water
48g salt
oil, for spraying

Eight to 12 hours before making the dough prepare the starter. Mix 240 g of strong bread flour, 240 ml of lukewarm water and 100 g of active sourdough starter. Leave to double in volume and become bubbly, then use to mix the dough. Warm the water to 28oC (82oF). Pour into a mixing bowl, add the starter and mix by hand. Add the honey and whisk again. Weigh the flours and mix. Transfer to a stand mixer with a dough hook and mix for 5 minutes. Add the second amount of water and the salt. Mix for 5 minutes. Take out of the bowl and put in a plastic container sprayed with oil. The dough should be 24–26oC (70–75oF). Next leave the dough for the bulk fermentation.

In this period the dough should get stronger, puffed and airy and should also increase in the volume. In the first 2 hours of the bulk fermentation perform a series of stretch and fold (4 times in 30-45 minute intervals). This will help the dough gain strength.

To perform stretch and fold, grab the dough at 1 side, then pull it up and fold over itself. Repeat on 4 sides of the dough. Leave the dough to rise until it increases approximately 80 percent of the initial volume. Divide the loaves into 620 g each for 8 loaves. Pre- shape, then let rest for 20 minutes. Give them a final shape and place in floured rising baskets. Proof the loaves at the room temperature until the bread approximately doubles in volume and passes the poking test. Make an indent into the dough and observe the reaction –

the dough is done proofing when the indent comes to the initial position slowly. If it returns fast, leave the dough to rise longer. Bake for 20 minutes at 230oC (445oF), full steam and fan, and then for 30 minutes at 160oC (320oF) no steam or fan.

Cook more from this book
Summer Pear
Goat Cottage Cheese Ravioli

Read the review

Buy this book
Ana Ros: Sun and Rain (Food Cook)
£39.95, Phaidon

Turkey Meatballs in Tomato Sauce by Jessie and Lennie Ware

045_Turkey_Meatballs

These are light as a feather and seem to invite a confession, like when my dear friend the singer/songwriter Sam Smith explained they thought Mexico was in Spain while we fed these beauties to them.

50g fresh white breadcrumbs
75ml whole milk
500g minced turkey thighs
2 garlic cloves, crushed or finely grated
finely grated zest of 1 lemon
1 egg, beaten
40g pecorino or Parmesan cheese, finely grated, plus extra to serve
2 tsp finely chopped fresh oregano, or 1 tsp dried oregano
about ¼ nutmeg, freshly grated
1 tsp fine salt
freshly ground black pepper

TOMATO SAUCE
2 tbsp olive oil
1 small onion, finely diced
2 garlic cloves, crushed
1 heaped tbsp tomato purée
1 tsp paprika (mild or hot)
2 × 400g tins chopped tomatoes
1 large handful of basil leaves
½–1 tsp caster sugar (optional)
salt and pepper

Serves 4–6

First, make the tomato sauce. Heat the oil in a large sauté pan or shallow casserole over a medium heat. Add the onion and a good pinch of salt and gently fry for 5–10 minutes until softened. Add the garlic and fry for 2 minutes, then stir in the tomato purée and paprika and cook for another 2 minutes.

Tip in the tomatoes and chopped basil, then gently simmer for 20 minutes. Taste to check the seasoning, adding salt, pepper and a little sugar to balance the acidity of the tomatoes if needed.

Meanwhile, make the meatballs. Place the breadcrumbs in a large mixing bowl and pour over the milk. Add the turkey, garlic, lemon zest, egg, cheese, oregano, nutmeg, salt and a good grinding of black pepper. Using your hands, gently combine, taking care not to overmix. With wet hands, gently shape the mixture into about 20 small–medium meatballs (about the size of golf balls – roughly 40g each and 5cm in diameter).

Gently drop the meatballs into the simmering sauce, cover with a lid and simmer for 20 minutes, turning them after about 10 minutes and giving the pan a shake from time to time.

Remove the lid and simmer for another 5 minutes. Serve the meatballs with the basil leaves and a grating of pecorino or Parmesan.

Cook more from this book
‘Triple Threat’ Chocolate Brownies
Chicken soup

Read the Review

Buy this book
Table Manners: The Cookbook
£22, Ebury Press

‘Triple Threat’ Chocolate Brownies by Jessie and Lennie Ware

271_Brownie_1 cropped

People have requested this recipe the most after hearing about it in the Ed Sheeran episode. A triple shot of chocolatey goodness, my doctor brother Alex says that it’s more like a ‘triple threat’ to your cholesterol levels, but don’t let that stop you from making them.

Get creative! Add whatever you like to your brownie batter. Generous chunks of white, milk or dark chocolate will all work well, as will roughly broken-up Oreos or any other chocolate confectionery. I generally add three things to mine, hence the triple threat. Experiment. Ultimately, whatever you choose will be delicious. 7

These brownies are best if slightly undercooked, so they still retain their gooeyness. What you want is a brownie that gets stuck to your teeth when eating it.

Makes 9–18 (depending on levels of greediness)

200g unsalted butter, cubed
200g dark chocolate, chopped
3 large eggs
275g caster sugar
90g plain flour
50g cocoa powder
250–300g ingredients of your choice to add to the mix (white, dark or milk chocolate, chocolate biscuits, your favourite chocolate bar), chopped

Preheat the oven to 190°C/170°C fan/gas 5. Line a 23cm square baking tin with baking parchment. Put the butter and chocolate into a heatproof bowl over a pan of barely simmering water and leave until they start to melt. Stir regularly, taking care not to burn the chocolate. Once completely melted, remove from the heat and leave to cool a little.

In a large bowl, using an electric whisk on high power, beat the eggs and sugar together until pale and almost doubled in volume. Add the cooled chocolate and butter mix and gently combine, using a figure-of-eight motion to fold the 2 mixtures into one another.

Sift the flour and cocoa powder together and then fold into the chocolate and egg mixture. Again, fold gently using a figure-of-eight motion until all is combined. It will appear dusty at first, but be patient and it will come together. Take care not to overdo the mixing: as soon as you cannot see any dusty flour mix, you are there.

Now add your extra ingredients and gently fold in, reserving a few to scatter over the top if you like. Transfer the mixture to the lined baking tin, levelling it out and pressing any reserved ingredients into the top of the mixture. Bake for around 35 minutes. The top should be just firm, but the middle should be slightly undercooked and gooey: it will continue to cook in the tin once removed from the oven. Leave the tin on a wire rack to cool before cutting into squares.

Cook more from this book
Chicken Soup
Turkey Meatballs in Tomato Sauce

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Buy this book
Table Manners: The Cookbook
£22, Ebury Press

Chicken Soup by Jessie and Lennie Ware

135_Chicken_Soup_Matzo_Balls

Every Jewish family thinks their mother’s chicken soup is the best. In emergencies, I have been known to send my soup across London in a taxi, because this ‘Jewish penicillin’ most definitely has healing qualities. Reminiscent of Friday nights spent with family when I was a girl, the fragrance of the simmering soup is delicious. Chicken soup is synonymous with every Jewish household, and is one of the things that makes me most proud to be Jewish.

Serve with matzo crackers and challah bread.

Serves 6 (makes about 2 litres)

2kg chicken thighs and legs
5 large onions, skins left on, halved, cutting off the rooty bit
8 carrots, sliced about 2–3cm thick
4 celery sticks, with leaves, halved
1 leek, halved
½ swede
2 tbsp Telma Chicken Soup Mix (available from a kosher shop or online), or 2 good quality chicken stock cubes
1 tsp whole black peppercorns
1 tsp salt
Matzo Balls (see below), to serve

Put the chicken and all the vegetables in a stockpot or very large pan (about 4 litres capacity) with enough cold water to cover everything by about 5cm (about 3 litres) and bring to the boil. When boiling, skim off all the frothy scum until there is none left. Add the soup mix or stock cubes, the peppercorns and salt, bring back to the boil and then reduce the heat and gently simmer for 2–3 hours. Season the soup to taste, then leave to cool.

Pour the soup through a colander into a large bowl. Carefully retrieve the carrots from the colander and add back to the soup. Give everything else a good squeeze to release the juices. Some people put a little of the chicken into the soup, but I’m not sure it has much taste after being boiled for so long – and you will make your cat/dog very happy if you give them the bone-free chicken meat.

Put the clear soup and carrots into the fridge for at least 2 hours or overnight. When it’s well chilled the fat will rise to the top and you can easily skim it off. To serve, bring the soup to the boil over a medium heat and add your cooked matzo balls just before serving.

Tip The soup may not be completely clear (and it doesn’t really matter), but if you want to make it as clear as a consommé then you can either put it all through a tea strainer (as I did when Jay Rayner was our guest) or you can use one or two egg shells from the matzo balls and put them in the soup as you bring it back to the boil – fish out the egg shells before you put the matzo balls in.

Matzo Balls

In the words of Marilyn Monroe: ‘Isn’t there any other part of the matzo you can eat?’ It has taken me ages to achieve light fluffy matzo balls, but I think after 40-odd years of making them I have finally managed it. Of course, you can cheat and use the ready-made packets, which are sometimes sold under the name ‘kneidl’. Matzo balls are very divisive: some prefer them fluffy like clouds, some prefer them dense like bullets. Some have them in the soup, others save them till after. But if you start by saying ‘I’ll only have one’ you will always submit to the second. Delicious and crucial to Chicken Soup.

Makes about 15 balls

100g medium matzo meal
1 tsp baking powder
pinch of salt
pinch of white pepper
3 large eggs, beaten
1 tbsp rapeseed oil
4 tbsp hot Chicken Soup or boiling water

Put all the dry ingredients in a bowl, gradually stir in the eggs and oil and then gradually add the chicken soup, mixing until smooth. Cover the bowl and chill for 30 minutes – it will firm up slightly.

Line a tray with baking parchment. Bring a large pan of salted water to the boil.

Wet your fingers and take small pieces of the mixture to make soft balls, about 2cm in diameter, placing them on the lined tray until you have used up all the mixture.

Drop the balls into the boiling water, turn down the heat and gently simmer for about 20–25 minutes until they are soft. They should swell up slightly, rise to the surface and look like little clouds. Lift out using a slotted spoon and serve them in chicken soup.

Cook more from this book
Turkey meatballs in Tomato Sauce
‘Triple threat’ chocolate brownies

Read the Review

Buy this book
Table Manners: The Cookbook
£22, Ebury Press

Slow Roasted Peppers With Chilli, Lemon and Garlic Beans by Rukmini Iyer

Slow roasted peppers with chilli, lemon & garlic beans

My favourite dish when working in a restaurant kitchen was peperonata – red and yellow peppers softened down slowly in a frying pan along with oil, garlic and onions until they almost melted. It was, as many good things are, time-consuming to make, so I wondered if one might achieve a similar result with oven cooking – and the answer is yes. With garlicky beans, this dish is perfect piled on to rounds of thickly sliced toasted bread.

Serves: 4
Prep: 15 minutes
Cook: 1 hour

5 vine tomatoes, quartered
1 red pepper, thinly sliced
1 yellow pepper, thinly sliced
1 orange pepper, thinly sliced
2 tablespoons olive oil
2 bay leaves
1 large sprig of fresh rosemary
1⁄2 – 1 teaspoon sea salt flakes
Plenty of freshly ground black pepper

BEANS

2 tablespoons extra virgin olive oil
1⁄2 clove of garlic, finely grated
1⁄2 teaspoon chilli flakes
1⁄2 – 1 teaspoon sea salt flakes
1 x 400g tin of cannellini beans, drained and rinsed
1⁄2 lemon, zest only

TO SERVE

Rounds of thickly sliced,toasted bread

Preheat the oven to 180°C fan/200°C/gas 6.

Tip the tomatoes, peppers, oil, herbs, salt and pepper into a roasting tin large enough to hold everything in one layer, mix well, then transfer to the oven and roast for 50 minutes. If after half an hour it looks as though the peppers are catching a bit too quickly, turn the heat down a fraction. Meanwhile, stir the extra virgin olive oil, garlic, chilli flakes, salt, cannellini beans and lemon zest together in a bowl and set aside.

Once the peppers have had 50 minutes, stir through the beans, then turn the oven down to 160°C fan/180°C/gas 4 and cook for a further 10 minutes. Taste and adjust the salt and pepper as needed, adding a little more olive oil if you wish, then remove the bay leaves and rosemary sprigs and serve piled on to toasted bread. This tastes even better the next day, so it’s well worth making in advance and reheating.

Extracted from: The Roasting Tin Around the World Global One Dish Dinners by Rukmini Iyer (Square Peg) 14th May, £16.99 HBK Photography by David Loftus. Follow Rukmini on instagram @missminifer

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The Roasting Tin Around the World: Global One Dish Dinners
£16.99, Square Peg

Peach and Dulce De Leche Cake with Meringues & Cream by Rukmini Iyer

Dulche-de-Leche-Cake

In Uruguay, the original version of this cake is known as chajá – layers of light, fluffy sponge soaked in peach syrup, whipped cream, dulce de leche, peach slices and crumbled meringue. My version incorporates the dulce de leche and fresh peaches into an olive oil cake – serve it warm out of the oven, with crème fraiche or lightly whipped cream alongside.

Serves: 8
Prep: 15 minutes
Cook: 25 minutes

225g olive oil
225g dulce de leche (you can use tinned Nestlé caramel, sold next to the condensed milk)
50g caster sugar
4 free-range eggs
225g self-raising flour
1 teaspoon baking powder
3 under- to just-ripe peaches, thinly sliced
TO SERVE
175g dulce de leche (this is the remaining caramel in the tin)
A handful of crushed shop-bought meringues
Crème fraîche or lightly whipped cream

Preheat the oven to 160°C fan/180°C/gas 4.
In a food processor or by hand, mix the olive oil and dulce de leche together with the sugar until well combined, then beat in the eggs, one at a time. Fold in the flour and baking powder, then pour into a 26cm by 20cm roasting tin or cake dish.
Arrange the sliced peaches over the batter, then transfer to the oven and bake for 25 minutes, until golden brown and a skewer inserted into the middle comes out clean.
Let the cake cool in the tin for 10 minutes.
Melt the remaining dulce de leche in a pan until smooth and pourable, then drizzle this over the warm cake. Scatter with a handful of crushed meringues, then serve with crème fraîche or lightly whipped cream alongside.
Notes: As this cake contains fresh fruit, if you are not eating it on the day you make it, store it in the fridge. I like to warm it up slice by slice in the microwave – 30 seconds on high.

Extracted from: The Roasting Tin Around the World Global One Dish Dinners by Rukmini Iyer (Square Peg) 14th May, £16.99 HBK Photography by David Loftus. Follow Rukmini on instagram @missminifer

Cook more from this book
Slow-Cooked Pork Pibil with Pink Pickled Onions
Slow Roasted Peppers With Chilli, Lemon and Garlic Beans

Read the review

Buy this book
The Roasting Tin Around the World: Global One Dish Dinners
£16.99, Square Peg

The Roasting Tin Around The World by Rukmini Iyer

Roasting Tin

What’s the USP? Globally-inspired dishes that can be put together within the happy confines of a roasting pan – ideal for the sort of person who would rather spend their Sunday afternoon planning their next holiday (whenever that might turn out to be) than up to their elbows in dirty dishes.

There have been a lot of these roasting tin books recently, haven’t there? Absolutely – and most of them have been by Rukmini Iyer. This is the fourth in her Roasting Tin series, which has had annual installments since debuting in 2017, selling over half a million copies in the process.

As well as Iyer’s books, the lure of the one-pan dinner has inspired several other cookbooks over the past few years, from Sue Quinn’s excellent Roasting Tray Magic to a forthcoming National Trust title. Even the Hairy Bikers have been drawn in, with last year’s One Pot Wonders.

So what makes this one stand out from the pack? Roasting Tin Around the World is a decidedly international take on the genre – though it’s fair to say the dishes are generally inspired by specific cuisines, rather than an authentic attempt to recreate the local dishes. Brazil, for instance, is represented by black beans and rice (spot on) with added avocado and radish, neither of which are common plate-fellows in the country. Not to start a riot, but the baked paella recipe absolutely features chorizo.

Iyer is pretty open about the dishes being her take on what is often little more than a loose idea of each nation’s favourite dishes. Like a supermarket ready meal, or Heinz’s frequent attempts to cash in on Britain’s burgeoning taste for international flavours, dishes are listed as ‘Cuban-style’ rather than ‘Cuban’. These dishes have been designed for accessibility, and Iyer seems to have that in mind on every page.

Will I have trouble finding the ingredients? Not at all – the major benefit of the book’s loose approach to each cuisine. The international flavours of each dish are generally summoned by the vegetables and protein rather than niche local ingredients. In fact, across the entire book there are, by my count, only half a dozen ingredients that you’d struggle to find in a big Asda. Given the range of nations and flavours on offer here, that’s something of an achievement.

What’s the faff factor? Unsurprisingly, it’s all tremendously easy. Iyer’s writing is unpretentious (ingredients lists might call for ‘pointy peppers’), and the joy of a roasting tin dish is, of course, the sheer ease of chucking everything in one place and watching it come together.

Will it make good bedtime reading? This is the one big failing of the book – besides a relatively unexciting introduction, there’s not much to sit down and read here. Recipe intros are short and practical – though bonus points for the repeated championing of Niki Segnit’s incredible Flavour Thesaurus.

Should I buy it? This all depends on what you’re looking for from your cookbooks. This is a fantastically practical entry point to international cooking – if you’re looking to expand your cooking repertoire on a weekday night, and have potentially fussy family members to worry about, this is the book for you.

If, however, you’ve already got a few international cookbooks on the shelf, some of these recipes might feel like a step backwards. Though the roasting tin angle does afford some functionality to the recipes, the truth is a basic understanding of cooking combined with any of the specialised ingredients you’ve picked up for other cookbooks, and you’ll like be able to knock up something equally delicious and potentially a little more authentic.

Cuisine: International
Suitable for: Beginners
Cookbook Review Rating: Three stars

Buy this book
The Roasting Tin Around the World: Global One Dish Dinners
£16.99, Square Peg

Review written by Stephen Rötzsch Thomas a Brighton-based writer. Follow him on Twitter and Instagram at @srotzschthomas.

Cook from this book

Slow Roasted Peppers With Chilli, Lemon and Garlic Beans by Rukmini Iyer
Slow-cooked pork pibil with pink pickled onions by Rukmini Iyer
Peach and Dulce De Leche Cake with Meringues & Cream by Rukmini Iyer