Salted Chocolate and Caramel Tart by Fergus Henderson

Salted Chocolate and Caramel Tart - photo credit Jason Lowe

To serve at least 16 – this is a very rich tart, you will not need very much

Here is an expression of the gradual erosion of chocolate. Fergus notes that the increasing challenge of finding a chocolate bar that does not contain salt is an example of a good idea going too far. For years his loyalties have lain solidly with Cadbury’s Fruit and Nut Bar – affectionately called ‘Fnerr’. But of late, he laments, he has begun to recognise its rough edges. Fergus and Fnerr have parted ways. In spite of (or maybe evidenced by) a little recent saturation, the combination of chocolate, caramel and salt
is still a good idea, and so here is our tart. A very rich tart, you will not need very much.

Base
200g plain flour
45g cocoa powder
7g bicarbonate of soda
180g demerara sugar
25g caster sugar
5g Maldon sea salt
225g unsalted butter, softened
225g dark chocolate, chopped finely –
the pieces should be smaller than
a chocolate chip

Caramel
225g caster sugar
70g unsalted butter, cut into chunks
80ml double cream

Chocolate filling
500g double cream
40g glucose
400g dark chocolate, broken into pieces
40g butter
Sea salt, for sprinkling
First make the tart case. It is easiest by far to use a machine for this. Mix together the flour, cocoa powder, both sugars and the salt, place in a food processor with the butter, and whizz until a loose dough forms. At this point add the chocolate and mix again. Wrap in cling film and allow to rest for half an hour or so.

If you are making the pastry any further in advance, take it out of the fridge in good time – you need the softness of room-temperature dough for it to work. When ready, butter and flour a tart case and roll the pastry between two sheets of baking parchment – the shards of chocolate would tear cling film, but the dough is too sticky to be rolled loose. Line the case with the pastry, rolled to around 4mm thick, line the pastry with foil or cling film, fill with baking beans and bake in a medium oven for 25 to 30 minutes.

When you remove the case from the oven, wait 10 minutes before removing the beans, otherwise the hot, soft pastry may tear. Once you have done so, press the base and sides all over with the back of a spoon while it is still warm – the aim here is to smooth the interior ready for the caramel,  pushing down the inside corners which may have risen and rounded a little in the baking.

Once the case is cool, make your caramel. It is essential to move quickly when the caramel is ready, so ensure that all your ducks are in a row before you start. Place the sugar in a scrupulously dry pan and melt over a medium high heat. Do not stir! Stirring will result in a crystallised disaster. Swirling the pan a little is allowed. By the time the sugar has dissolved you should have a good colour, trusting that it can be quite dark and still be comfortable. Throw the butter in first and follow with the cream, whisk them together quickly and, at the very moment that they are smoothly incorporated, pour it into the case immediately. With speed, pick up your tart case and move it around, tilting it to ensure that the caramel covers the entire base. Leave aside to cool.

Finally, heat the cream with the glucose and take it just shy of a simmer. Place the chocolate and butter in a bowl and pour the hot cream over the chunks in three stages, stirring gently to incorporate – the first will melt the chocolate, the second will loosen the mixture and the third will make the smooth ganache. Then pour the chocolate mixture into the tart and leave to cool and solidify. Sprinkle with a little sea salt and serve with crème fraîche.

Extracted from The Book of St John by Fergus Henderson and Trevor Gulliver (Ebury Press, £28 hbk) Photography by Jason Lowe

Buy this book
The Book of St John: Over 100 Brand New Recipes from London’s Iconic Restaurant
St John

Cook more from this book
Welsh Rarebit by Fergus Henderson
Grilled Lamb’s Hearts, Peas and Mint by Fergus Henderson

Read the review 

Fruit Soup with Verbena by Michel Roux Jr

fruit soup

(SOUPE DE FRUITS ROUGES À LA VERVEINE)

This beautiful, verbena-flavoured dessert is summer in a bowl. And it is even better with a few little madeleines on the side.

Serves 4

75g caster sugar
2 tbsp blossom honey
2 fresh verbena sprigs (or a handful of dried)
500g mixed berries (strawberries, raspberries, blackberries, redcurrants, blackcurrants)
freshly ground black pepper (optional)

Pour 500ml of water into a pan, add the sugar and honey and bring to the boil.  Add the verbena and simmer for 2 minutes. Take the pan off the heat, cover and leave to infuse for about 10 minutes. Remove the verbena. Pour the liquid into a bowl, add the fruit, then leave to cool. Chill the soup in the fridge until it is very cold. Just before serving I like to add a little freshly ground black pepper.

Cook more from this book
Monkfish cooked in the style of lamb
Basque-style chicken

Read the review

Buy this book
The French Revolution: 140 Classic Recipes made Fresh & Simple
£25, Seven Dials

Room for Dessert by Will Goldfarb

room-for-dessert-2d.jpg

What is it? Will Goldfarb has worked in the kitchens of Ferran Adria, Tetsuya Wakuda, Paul Liebrandt, and Morimoto. He is one of the top pastry chefs working today and is featured in the fourth series of acclaimed Netflix series Chef’s Table. In his first book, he shares 40 recipes, plus additional basics like sorbets, gelatos and mousses, from his acclaimed Room4Dessert restaurant in Bali.

What’s the USP? Along with the highly complex and bizarrely-named recipes called things like ‘Footsteps, or Burbur Injin’ (black rice pudding), each with their own obscure and sometimes almost unintelligible introduction, the book contains an extended biographical section and ‘The Lab of Ideas’ that provides an insight into Goldfarb’s unique creative process.

What does it look like? The modern, often minimalist desserts are all illustrated with overhead photographs which do some of the less visually impactful creations like Pom Pom Yeah: The Horse Thief (a take on Mont Blanc) no favours at all and makes you wonder what Violet de Meuron (frozen horchata with a dramatic purple hibiscus and onion skin ‘veil’) would look like from another angle.

Is it good bedtime reading? Let’s put it this way, there’s plenty to read, but whether or not you should be looking at it before trying to go to sleep is another matter. Goldfarb has a fascinating life story to tell but does so in such an oblique manner that he sacrifices clear narrative substance for a ‘clever’ turn of phrase and an odd pseudo-poetic style (not dissimilar to that employed by Sean Penn in his much-derided recent novel Bob Honey Who Just Do Stuff),  that your frustration with the many gaps in the story might well keep you up at night. Best stick with the latest Laura Lippman.

Will I have trouble finding ingredients? Not at all, as long as you’re in Bali. Otherwise, see how you go asking for lontar nectar, fresh moringa leaves or snake fruit at your local Nisa (this is unfair, many of the recipes don’t include exotic ingredients and you should be able to source most of what you need with some diligent online shopping).

What’s the faff factor? This is a book by a progressive, experimental professional pastry chef written for his peers. What do you reckon it’s likely to be?

How often will I cook from the book? Determined hobbyist cooks who want to one-up their nerdy friends or intimidate their dinner party guests with their dazzling pastry skills will be all over this like a rash. Mere mortals will simply admire from the safety of their sofas.

Killer recipes? It’s difficult to say. Is Plat du Jour’s combination of yoghurt sorbet, coffee anglaise, grilled aubergine puree, vermouth gel, white chocolate and ginger ‘Toblerone’ and brioche, soaked in milk and blonde coconut nectar and cooked French toast-style, a winner? Who knows until you’ve made it and eaten it.

What will I love? You will have never read a cookbook quite like it.

What won’t I like? You will have never read a cookbook quite like it.

Should I buy it? If you are a professional pastry chef working at the cutting edge of cuisine, fill your boots. Others should approach with caution unless strongly attracted to whimsy and folderol.

Cuisine: Modernist desserts
Suitable for: Modernist pastry chefs
Cookbook Review Rating: 3 (or 5 if you’re a modernist pastry chef)

Buy this book
Room for Dessert
£39.95, Phaidon