Arzak + Arzak by Gabriella Ranelli, Xabier Gutiérrez and Igor Zalakain

Arzak

Few chefs have had such an influence on modern cuisine as San Sebastian-based Juan Mari Arzak. As Anthony Bourdin noted, ‘Ferran and Albert Adrià, Martin Berasetgui, Andoni Aduriz: these are just a few of the chefs who looked to Arzak as an example of the new possibilities’. Those ‘new possibilities’ crystallised into molecular gastronomy, but they had their roots in the 1970’s movement of ‘New Basque Cuisine’ the Spanish response to French nouvelle cuisine that was headed up by Arzak. So, no Arzak, no el Bulli, Fat Duck or Alinea.

Arzak + Arzak, originally published in Spanish in 2018 and now reissued in an English language edition, tells Juan Mari’s story, including his ongoing, decade-long creative collaboration with his daughter Elena, the fourth generation of the family to work in Arzak restaurant since it first opened as a tavern in 1897. With extensive narrative text and some stunning black and white portraiture, the introductory chapters provide background on the day to day running of the restaurant and kitchen, as well as the ongoing creative processes of Arzak’s ‘laboratory’ where chefs Xabier Gutiérrez and Igor Zalakain collaborate with the Arzaks to create 50 new dishes a year.

However, the lack of introductions to the often avant garde recipes is frustrating. Dishes such as Symbolic Squab (pigeon decorated with variously shaped red cabbage and purple potato tuiles); Flaming Chickpea Stew (a frozen dessert of coffee-flavoured bavarois set in a chickpea-shaped mould and served with cardamom, cocoa and gellan gum ‘rusty nails’), and the frankly bizarre Another Brick in the Chocolate and Mustard Wall are baffling when presented without context or explanation.

There are some more mainstream dishes in the book such as sea bream with nasturtium leaves and crispy crepe lobster, but make no mistake, this is a Spanish modernist cookbook. The majority of the recipes would only be attempted by a professional chef or a very serious hobbyist home cook but would make a nice souvenier for those that have eaten at the restaurant. Elena Arzak is quoted in the book saying that, ‘My biggest challenge is foreseeing the unpredictable taste of people and staying ahead of them’.  Despite such forward looking ambition, Arzak + Arzak feels trapped in molecular gastronomy’s past.

A version of this review was first published in The Caterer

Cuisine: Spanish/Progressive
Suitable for: Professional chefs
Cookbook Review Rating: Three Stars

Buy the book
Arzak + Arzak
£30, Grub Street

John Burton-Race: The Authorised Biography with Michael Cowton

John Burton Race

Where to start with this odd and badly written biography of the former Michelin-starred chef, minor TV personality and tabloid headline-hogger? Well, how about the time Burton-Race returned drunk from a night out with his then wife Kim to find his stepdaughters Olivia and Eve and Eve’s boyfriend with what Burton-Race thought was drugs on the kitchen table. His response? To go to the utility room and unlock the gun cabinet where he kept ‘a Beretta and a special edition Browning worth £7,500’ and return to the kitchen wielding a shotgun. During a struggle, he knocked Olivia to the floor and hit both her and his wife in the face with the butt of the gun.

That may well be all you need to know about Burton-Race, who you may remember from his 2007 appearance on I’m A Celebrity, Get Me Out of Here, but if for some reason you are still considering parting with £20 for this shoddy, thrown-together book then read on. Cowton has based the above anecdote on an interview given by Kim Burton-Race to the Evening Standard in 2007. Cowton writes that Burton-Race himself, ‘was reluctant to talk about it in any great detail’ and that Cowton feels that ‘the incident does not sit well with John. It is something he would sooner forget.’ That Cowton has allowed him to do so gets to the heart of the book’s problem. You will learn as much, if not more about Burton-Race from Googling a few interviews and articles (this one by Jay Rayner from 2008 is particularly good) as you will from reading this biography.

In the second chapter, Cowton describes his first meeting with the chef which partly helps explain why the book is such a mess. ‘Without any prompting, he launches into a stream of anecdotes with no prior considered response to my first question…I suggest it might be appropriate to begin noting our conversation and he agrees. However, trying to get John Burton-Race to rewind when he is in fast forward is an entirely different matter.’ Cowton goes on to claim that ‘As I grow to know John Burton-Race better, and on a more personal level, I begin to slowly unravel the complexities of the man’. If that’s true, he has failed to document his findings. Instead, the impression Cowton gives is that he has been bamboozled by the mercurial chef and has struggled to make anything substantial from that ‘stream of anecdotes’ which are often banal and lacking in any real detail.

At 264 pages, it’s a relatively short book yet Cowton has still found it necessary to bulk it out by taking some utterly bat-shit tangents including a page on the sexism of 1960s-80s era Savoy hotel head chef Silvetto Trompetto and the subsequent achievements of women in the hospitality industry. It should be noted that Bruton-Race never worked for Trompetto or with any of the women listed by Cowton which include Prue Leith and Eugénie Brazier. And then there are the disproportionately lengthy biographies of chefs Burton-Race has actually either worked for or with including Raymond Blanc, Gary Jones (executive chef of Le Manoir Aux Quat’Saisons), Martin Blunos and Nigel Marriage which all include details that have no bearing on Burton-Race’s story whatsoever.

However, important incidents go unexplored. Marriage had an unwanted 15 minutes of fame in the mid-90s when he was secretly filmed physically and verbally bullying a junior chef in the kitchens of Burton-Race’s two Michelin starred restaurant L’Ortolan in Berkshire (now under different ownership). The footage featured in an episode of ITVs The Big Story documentary series exposing abuse within the restaurant industry. It was a major scandal at the time which ruined Marriage’s reputation and did no favours at all for Burton-Race who was also filmed verbally abusing the young chef. Cowton offers no new insight from Burton-Race into the incident, quoting only from reports from the time, again failing to add to the sum of biographical knowledge about the chef.

Cowton’s own deathless comment is that, ‘The situation was not helped when the film crew shot John as this opulent bloke driving in his Porsche, so everybody who didn’t have the money for a bicycle suddenly hated him. All the upper-crusties who thought John Burton-Race was politically correct, brilliantly talented and fun to be with suddenly didn’t like him anymore because they felt he had let them down.’ One suspects that those words were actually spoken by Burton-Race himself, as much of the text which is not in quotation marks reads like transcribed interview re-written in the third person. That maybe a valid approach for a biography, but only when properly considered and edited and with sufficient mediated storytelling from the biographer. Unfortunately, time and again, John Burton-Race: The Authorised Biography reads as if it has been banged out in a hurry with the minimum of care and attention.

Given the number of factual errors and spelling mistakes, it’s surprising to discover via Cowton’s acknowledgements that the book actually had an editor. It’s worth noting at this point that Cowton’s other works include books about Level 42, The Pet Shop Boys and a trilogy on Murders That Shocked the World and that, despite claiming to have a ‘passion for gastronomy’ in his Twitter handle, his unfamiliarity with his subject matter is painfully obvious. Chef Gary Hollihead is referred to as Paul Hollihead on two separate occasions, chef Aldo Zilli is called Aldo Zilley and Gidleigh Park hotel becomes Gidley Park.

Every restaurant in New York visited by Burton Race on a trip in 1994 is misnamed. Daniel is Daniels, Le Cirque is La Cirque and, for some reason, Cowton hasn’t even bothered to Google the name of ‘Robert De Niro’s place in the docks’ (it’s Tribeca Bar and Grill, and it’s not in the docks). In one of the worst sentences ever written in the English language, Peter Luger Steakhouse gets rechristened: ‘Mesmerised by the host of influential quarters, he found himself at the hub of a cosmopolitan gem and visited a steakhouse in Brooklyn called Lugeros.’ I’m sorry, he was mesmerised by what, where?

The book is full of puzzling moments. In a bizarre and difficult to follow anecdote that goes precisely nowhere, Cowton confuses rillette (potted pork), with andouillette, a famously pungent sausage made with chitterlings. On page 143 we learn that ‘John met his second wife Kim in 1996 on a Caribbean island’. On page 144, THE VERY NEXT PAGE, Cowton writes, ‘As John was collecting his Catey Award in 1995, the year also saw him betrothed to Kim’. That’s one year before they met in case you’re having trouble keeping up. More troubling is the head scratching revelation that Burton-Race’s mother and father-in-law abandoned him and his younger sister at some point in his childhood (there is no strict chronology in the early part of the book), leaving them alone in a house in Sarisbury Green in Hampshire and moved to Indonesia with ‘no explanation to the children, no heartfelt goodbyes, nothing – just gone, the taxi’s rear lights flickering and gradually fading into the distance’.

According to Cowton, the children were discovered by chance by ‘an uncle’ and then ‘placed with neighbours’. But then, sometime later (weeks, months, years – it’s impossible to tell), Burton-Race’s mother and father-in-law returned to the UK, took up residence for a brief spell and then returned to Indonesia, this time taking Burton-Race and his sister with them. Given that Cowton says that Burton-Race’s ‘earliest childhood memories are a pile of mismatched fragments’, it’s surprising that Cowton appears not to have tried to verify the exact circumstances surrounding what is obviously an important incident in his subject’s life and which he says ‘had devastating results’ and ‘left both children mentally scarred’. Why would the parents not have been arrested for child abandonment on their return to the UK? Why would they have been allowed to take them out of the country after behaving in such an astonishingly irresponsible manner. Why were the children not taken in by relatives and who were those amazingly generous-hearted neighbours?

A little bit of legwork with public records and the local paper’s archive might have provided some answers, but Cowton seems satisfied to leave his readers with more questions about his subject’s life than when they started reading the book. Much easier to devote pages documenting forgettable TV appearances on programmes like Kitchen Criminals and Great British Menu, which can be called up on YouTube, or interviewing easily accessible chefs such as Michel Roux Junior who has never even worked with Burton-Race but has ‘bumped into him several times at events’ and was willing to contribute a quote or two to fill up a bit of space.

It’s also easier to cram the book full of clichés: at various points in the book Burton Race is ‘never lots for words’, has had a ‘long and distinguished career’ is on ‘a single minded mission’ and ‘a relentless search for perfection’ or has ‘ had to manage the cards he’s been dealt’. There’s plenty of meaningless hyperbole too, culminating with the laughably unsupportable assertion that ‘without question [Burton-Race] has worked monumentally hard to achieve and maintain a level of creative genius unparalleled in his time’ (no one mention Ferran Adria or Rene Redzepi or Daniel Humm or…well, you get the picture).

There’s no question that Burton-Race is a complex figure who has led an interesting life and achieved notable success in his chosen field. In more skilled hands, his story could have made for a rattling yarn (albeit with some unsavoury aspects), instead John Burton-Race: The Authorised Biography makes for a deeply unsatisfactory read. If you want to find out about the life of a flawed British Michelin-starred chef then you’d be much better off with Marco Pierre White’s oddly titled but very readable autobiography White Slave.

Due to a litany of bad business moves and ill health (all documented in the book), Burton-Race’s career is currently at something of a low-ebb with his most recent venture in Torquay, that included John Burton Race hotel and Restaurant, folding within less than two years. From his website it appears that he is currently concentrating on consultancy. If this book is an attempt to get him back into the limelight, he may be in for a disappointment as big as anyone foolish enough to buy a copy.

Cookbook Review Rating: One star

Buy the book
John Burton-Race 2020: The Man, The Magic & The Mayhem
£20, Banovallum Books

The Crunchy Part of the Lasagne by Massimo Bottura

165 crunchy lasagne

Osteria Francescana Italy 1995

1 yellow onion, diced
1 carrot, diced
2 celery stalks, diced
3 g extra-virgin olive oil
2 dried bay laves
1 sprig rosemary
100g bone marrow
50g pancetta steccata, chopped
100g sausagemeat
200g veal tail
100g veal tongue
100g beef cheek
100g cherry tomato confit
80g white wine
1.5g capon stock
5g sea salt
1g black pepper

Pasta dough

100g spinach
100g Swiss chard
500g ‘00’ flour
8 egg yolks
1 egg
salt

Béchamel foam

30g butter
30g flour
500g milk, at room temperature
120g Parmigiano Reggiano, grated sea salt

Tomato terrine

4 ripe tomatoes
1g sugar
1g sea salt
0.5g freshly ground black pepper
3g extra virgin olive oil
2g agar agar

Parmigiano crackers

15g soft butter
90g 30-month Parmigiano Reggiano, grated
5g cornflour (cornstarch)

Ragù

Make a classic soffritto by cooking the onion, carrot and celery very gently in
a pan with the olive oil. Transfer to a stainless steel bowl and stir in the bay and rosemary. Blanch the bone marrow in salted boiling water and drain it on paper towels to absorb any excess liquid. Sweat the pancetta in a large, heavy-based saucepan. Add the sausagemeat and cook until browned. Remove any excess fat, then add the remaining meats, keeping them in large pieces, and cherry tomato confit. Brown them, add the wine and cook until the liquid has evaporated. Remove from the heat and add the soffritto. Put the mixture in a sous-vide bag along with a little of the stock, and seal. Cook for 24 hours at 63°C (145°F). Open the bag and separate the liquid and solids. Place the liquid in a pan and reduce it by half over low heat. Chop the meat with a sharp knife. Put it in a large saucepan and add the liquid.

Pasta

Cook the spinach and chard in boiling water, then chill it immediately in iced water. Drain it well, dry it and pound it thoroughly.

Sift the flour on to a board and make a well in the centre. Add the egg yolks, egg and the spinach mixture gradually to the well, mixing until the dough comes together in a ball. Knead for 15 minutes, until smooth and elastic. Cover it with a clean dish cloth and leave to rest for 30 minutes.

Roll out the dough to a thickness of 1 mm (1⁄16 inch). Cut it into 5-cm (2-inch) triangles. Cook the pasta in salted boiling water (10 g salt per litre), drain it and dry it well. Stack the pasta, cover it carefully and let stand in the fridge for 30 minutes. Preheat the oven to 220°C (430°F). Bake for 15 minutes, until the pasta is perfectly gratinated. Let stand in a warm place for 5 minutes before serving.

Béchamel foam

Melt the butter in a pan and add the flour and salt. Cook, stirring, until it forms a smooth paste, then add the milk. Stir very well and when it starts to thicken, add the Parmigiano and keep stirring. Cook for 5 more minutes. While still warm, process it in a thermal mixer at maximum speed, then strain it, put it into a siphon and chill it. Once cold, charge with 2 charges and shake it well.

Tomato terrine

Blend the tomatoes thoroughly and strain them, adding the sugar, salt, pepper and oil. Put the liquid into a small pan with the agar agar and bring to a boil, stirring, until it has melted completely. Pour the mixture into a 10 x 15-cm (4 x 6-inch) rectangular tray and let cool. Once cold, cut it into 1 x 15-cm (1⁄2 x 6-inch) strips.

Parmigiano crackers

Knead the butter, Parmigiano and cornflour (cornstarch) together briefly. Roll it out to a thickness of 2 mm (1⁄8 inch) and cut it into 5-cm (2-inch) triangles, like the pasta. Bake at 200°C (400°F) for 2 minutes, or less if necessary, until lightly browned.

To serve

Place a straight line of tomato terrine along the plate. Place four spoonfuls of the ragù alongside it, topped with spoonfuls of the béchamel foam. Rest 2 Parmigiano crackers and 2 crispy pasta pieces alternately in front of them.

Cook more from this book
Sticky toffee pudding  
Stuffed Pig’s Trotters with Morels

Read the review

Buy the book
Signature Dishes That Matter
Phaidon, £35

Casa Cacao by Jordi Roca and Ignacio Medina

Casa Cacoa

Although it seems to have been around forever, ‘bean to bar’ is a relatively new concept with the first single estate chocolate produced by Cluizel in 1996. That’s just one of many fascinating facts in Jordi Roca’s deep dive into the world of chocolate, written with food journalist Ignacio Medina and inspired by the launch of the three Michelin starred pastry chef’s own brand, Casa Cacao that takes the bean to bar ethos one step further.

Roca argues that ‘chocolate has its beginnings in the tree’, placing increased importance on the variety of cacao, the farmer and the environmental conditions. The book tells the story of Roca trips to Colombia, Peru and Ecuador, visiting cocoa farmers where he discovered that a bean grown in Piura in the northwest of Peru which has ‘fruity and aromatic notes’ is very different from the ‘restraint, elegance and presence’ of beans from Vinces in Ecuador.

With the help of British chocolatier Damien Allsop (‘head of chocolate and bon bon production’ at Roca’s Girona restaurant El Celler de Can Roca), Roca is pushing the conventions of chocolate manufacturing, creating vegetable-based chocolate made, for example, by combining a paste of peas, sugar, isomalt, puffed rice and ascorbic acid with melted cocoa butter. Allsop has also created ‘chocolate²’ made with just cacao and sugar to intensify the purity of flavour. Recipes for both are included, along with a detailed description of the chocolate making process, but you’d need access to a chocolate factory if you wanted to attempt them.

More achievable are ‘chocolate classics’ such as chocolate brownies or sophisticated desserts including milk chocolate, lemon and hazelnut cake, although only the most ambitious pastry chef would consider trying to replicate Mexican Chocolate Anarkia, the recipe for which takes up eight pages of the book.  Also included are some wildly creative savoury recipes such as cacao pulp and spiced chocolate sauce with langoustines by Roca’s brother Joan.

Casa Cacao is a detailed look at a complex and niche subject area and as such will mainly be of interest to chocolatiers and pastry chefs working in a fine dining environment, but it’s a beautifully produced book that will inform and inspire its intended audience.

Cuisine: International 
Suitable for: 
Confident home cooks/professional chefs
Cookbook Review Rating: 
Four stars

Buy this book
Casa Cacao
Grub Street, £35

This review was originally published by The Caterer 

The Garden Chef with an introduction by Jeremy Fox

The Garden Chef

What’s the USP? The Garden Chef explores the growing (pun intended) worldwide phenomenon of top chefs cultivating their own produce for their restaurants in on-site kitchen gardens. The book includes ‘recipes and stories from plant to plate’.

Who is the author? The book has been created from the contributions of chefs from 40 high-end restaurants around the globe which most notably include Simon Rogan from L’enclume in England, Ben Shewry from Attica in Melbourne, Alice Waters from Chez Panisse in Berkeley and Michel and Cesar Troisgros from Trisgros in France. The introduction is by Jeremy Fox of Bridie G’s in Santa Monica who is also the author of the brilliant cookbook On Vegetables, also published by Phaidon and which is cookbookreview.blog five star-reviewed.

What does it look like? Expect a riot of raised beds, a plethora of polytunnels and a great deal of gathering in the fields. The accent is as much on ‘garden’ as it is ‘chef’. The majority of the 80 recipes are illustrated and the food does look great, but it’s rather overshadowed by all the greenery.

Is it good bedtime reading? The chef or chefs of each restaurant (some are run by duos including Michael and Iain Pennington at The Ethicurean just outside Bristol and Gaston Acurio and Juan David Ocampo of Astrid Y Gaston in Lima)  are given a full page to espouse their horticultural and culinary philosophies, earning The Garden Chef space on your bedside table.

Will I have trouble finding ingredients? You’ve seen the Indiana Jones movies, right? Unless you cultivate your own incredibly vast and comprehensive kitchen garden, be prepared for an amazing adventure where you’ll raid the lost ark, discover the temple of doom and embark on the last crusade to track down sangre de toro potatoes, kalanchoe blossfeldiana and Mexican pepperleaf, among many, many other obscure ingredients that you definitely won’t find at your local Asda.

What’s the faff factor? These are recipes aimed fair and square at the professional chef community. There are dishes achievable for the home cook, but really they are not the main reason you would buy this book; it exists primarily to document and give a window into a particular aspect of the modern restaurant scene.

How annoyingly vague are the recipes? If you are up for attempting them, the recipes are detailed enough to follow to successful completion.

How often will I cook from the book? That depends. How often are you in the mood for something like chef Ana Ros’s ‘Rabbit That Wants to be Mexican Chicken’ where you’ll need to wrap rabbit mousse in whole chicken skins and serve with rabbit sauce flavoured with star anise and chilli, roasted carrots, apricot gel, carrot top pesto and hibiscus flowers?

Killer recipes? Don’t get me wrong, the book is full of delicious things you’ll want to eat like The Quay’s Tennouji white turnip, blue swimmer crab and Jersey Wakefield cabbage with fermented cabbage juice and brown butter dressing, but you’ll probably want to go to the restaurant and try them rather than cook them yourself, even if that does mean flying half-way around the world. Doable recipes include white and green pizza from Roberta’s in Brooklyn and cream of vegetable soup from The Sportsman in Seasalter.

What will I love? If you’ve been looking for inspiration to create your own kitchen garden, be it for your restaurant or your home, then you couldn’t ask for a better book. There are even garden tips and the chefs favourite heritage varieties to give you a kick start, although if you want step by step guidance on how to actually get out there and do it you’ll need to look elsewhere.

What won’t I like? The decision has been taken not to include any images of the interior of any of the restaurants, which gives the book a feeling of incompleteness. This is partly understandable, given that the thrust of the book is on the chef’s activities outside their restaurants rather than in them. However, after reading the book, you might well be interested in planning a visit to one or more of the places included and wonder what you are letting yourself in for. Of course, you can google the restaurant’s website and reviews for images, but that’s sort of beside the point; you can google images of many of the restaurant’s gardens and dishes too if you are minded to.

Should I buy it? It’s a great book but may have niche appeal. If you are a keen gardener or aspire to be one, as well as a foodie, you will dig (pun intended) this book. If you want to know more about an influential trend that is helping to define to the current global high-end restaurant scene, this is also a must-read.

Cuisine: International
Suitable for: Professional chefs/Confident home cooks
Cookbook Review Rating:
Three stars

Buy this book
The Garden Chef: Recipes and Stories from Plant to Plate
£29.95, Phaidon

Cook from this book

Coming soon

Fruit Soup with Verbena by Michel Roux Jr

fruit soup

(SOUPE DE FRUITS ROUGES À LA VERVEINE)

This beautiful, verbena-flavoured dessert is summer in a bowl. And it is even better with a few little madeleines on the side.

Serves 4

75g caster sugar
2 tbsp blossom honey
2 fresh verbena sprigs (or a handful of dried)
500g mixed berries (strawberries, raspberries, blackberries, redcurrants, blackcurrants)
freshly ground black pepper (optional)

Pour 500ml of water into a pan, add the sugar and honey and bring to the boil.  Add the verbena and simmer for 2 minutes. Take the pan off the heat, cover and leave to infuse for about 10 minutes. Remove the verbena. Pour the liquid into a bowl, add the fruit, then leave to cool. Chill the soup in the fridge until it is very cold. Just before serving I like to add a little freshly ground black pepper.

Cook more from this book
Monkfish cooked in the style of lamb
Basque-style chicken

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Buy this book
The French Revolution: 140 Classic Recipes made Fresh & Simple
£25, Seven Dials

Basque-Style Chicken by Michel Roux Jr

chicken basque style

(POULET BASQUAISE)

This is a really good simple supper – everything you need in one pot. I like to make it with chicken legs, as they are more flavourful than breast and less likely to be dry. Espelette chillies are grown in the Basque region in southwest France and have a beautifully mild, fragrant taste that is perfect for this dish. If you can’t find any, just use other chillies to taste. This is a dish that’s even better when made in advance and then reheated.

Serves 4

12 new potatoes, scrubbed
4 chicken legs
1 tbsp smoked paprika
4 tbsp olive oil
2 red, green or yellow peppers, halved and seeded
2 onions, peeled and thinly sliced
6 garlic cloves, peeled and chopped
3 bay leaves
2 thyme sprigs
200ml white wine
1 tbsp piment d’espelette (see page 8) or chilli flakes
4 large tomatoes, peeled and diced
salt and freshly ground black pepper

Cut the potatoes in half, put them in a pan of salted water and bring to the boil. Cook them for 10 minutes, then drain and set aside. Joint the chicken legs into thighs and drumsticks – or ask your butcher to do this for you. Season them with salt and smoked paprika. Heat the oil in an ovenproof pan or a flameproof casserole dish and fry the chicken pieces until golden brown on both sides. Remove them from the pan and set them aside.

Slice the peppers into long strips and fry them in the same pan until tender, then add the onions, garlic and par-boiled potatoes. Cook them over a medium heat for 5–6 minutes. Preheat the oven to 200°C/Fan 180°C/ Gas 6.

Tie the bay leaves and thyme sprigs together and add them to the pan along with the wine and piment d’espelette or chilli flakes. Add extra chilli if you like your food really spicy.

Add the tomatoes, then put the chicken and any juices back into the pan and stir gently. Put a lid on the pan or cover it tightly with foil and place it in the oven for 30 minutes or until the chicken juices run clear. Check the seasoning, then serve or set aside to enjoy later.

Cook more from this book
Monkfish cooked in the style of lamb
Fruit soup with Verbena

Read the review

Buy this book
The French Revolution: 140 Classic Recipes made Fresh & Simple
£25, Seven Dials

Sole, Jerusalem artichoke, black truffle by Mauro Colagreco

Sole Jerusalem artichoke Black truffle - Copyright Eduardo Torres

SERVES 4

FOR THE SOLE
Sole, 2 from 300-400 g
Jerusalem artichokes, 500 g
Sunflower oil, 500 cc
Dairy cream, 100 cc approx.
Shallot, 1
Chive, 10 g
Large mushrooms, 2
Extra virgin olive oil, 20 cc
Beurre noisette, 100 g
Hazelnuts, 50 g
Mushroom powder (dried and ground)
Black truffle (autumnal)
Pimpernel, 12 leaves
Sea salt

FOR THE LIME GEL
Lime juice, 250 cc
Agar-agar 3.5 g

PREPARATION

SOLE
Fillet the soles and set aside. Wrap the Jerusalem artichokes in aluminium foil and oven roast at 180°C for approximately 40 minutes, until done. Remove the foil, make a slit on top and squeeze to extract the pulp. Retain the peel and dry it at 60°C. Set aside. Transfer the pulp to the Thermomix, add 50 cc of cream for every 200 g of pulp, process, then strain. Transfer to a 1-charger siphon and reserve in a 50°C bain-marie.

Brunoise-cut the shallot. Mince the chives. Brunoise-cut the mushroom stems. Add the shallot to a heat hot suaté pan with olive oil, then add and brown the mushrooms. Remove from heat, season with salt and add the chives. Set aside.

Cut two slices of mushroom and dust with the mushroom powder. Dry at room temperature. Cook the sole for 5 minutes in a 70°C combi oven at 30% humidity. Matching up the edges, lay one dorsal fillet atop the lower fillet.
Toast the hazelnut in butter in a saucepan until the butter is browned (noisette).
Fry the Jerusalem artichoke in 180°C sunflower oil.

LIME GEL
Mix the lime juice and agar-agar in a saucepan, bring to a boil and whisk for 2 minutes. Once the mixture has cooled, process in a blender until it has a gel-like consistency. Transfer to a squeeze bottle.

PLATING
Set a base of sautéed mushrooms on a plate and, on top, arrange the sole, two dots of Jerusalem artichoke foam, some of the crisped Jerusalem artichoke, beurre noisette and hazelnuts atop the sole, mushroom slices and black truffle slices. Finish with two dots of lime gel and pimpernel leaves.

Cook more from this book
Turbot Celeriac Sorrel
Grouper rosemary sorrel

Read the review

Buy this book
Mirazur (English)
Catapulta, £70

Grouper Rosemary Salsify by Mauro Colagreco

Grouper  Rosemary  Salsify - Copyright Eduardo Torres.jpg

SERVES 10

FOR THE GROUPER
Grouper (from 2.5 kg), 1
Extra virgin olive oil, 100 cc
Thyme, 1 sprig

FOR THE ROSEMARY SAUCE
Shallot, 20 g
Butter, 20 g
Dairy cream, 500 cc
Rosemary, 4 g
Spinach, 200 g
Leek greens, 25 g

FOR THE GRAPE GEL
White grape juice, 500 cc
Ascorbic acid, 1 g
Agar-agar, 11 g

FOR THE WILD SALSIFY
Wild salsify, 20
Milk, 1 l
Butter, 500 g
Star anise, 1
Cardamom, 2 grains
Black peppercorns, 3

FOR THE SPANISH SALSIFY
Spanish salsify, 1
Ascorbic acid
Shallot, 5 g
Butter, 1 knob

PREPARATION

GROUPER
Fillet the fish, remove the spines and cut into 80 g portions. Transfer to a vacuum bag with the olive oil and thyme, seal and cook in a steam oven at 65°C for for 4 to 5 minutes. Transfer the bag to an ice bath. Place the fish skin-side down into a hot sauté pan and cook until it takes on a good colour. Remove the fish and let it rest skin up for a minute and a half. Place skin down under a salamander to finish cooking.

ROSEMARY SAUCE
Sweat the minced shallot in a pot with a little butter, add the cream and reduce by half. Add the rosemary sprigs and allow to infuse for 5 minutes. Taste to check if the cream has the desired flavour, if so, discard the rosemary. Transfer the cream to a food
processor, add the spinach and leek greens and process. Pass through a fine strainer. Chill quickly so the sauce doesn’t oxidise and change colour. Reserve.

GRAPE GEL
Use a juicer to extract 500 cc of juice from white grapes. Heat 300 cc of the juice in a saucepan with ascorbic acid, add the agar-agar and, stirring constantly, boil for 2 minutes. Remove from heat, add the remaining grape juice, and chill.

WILD SALSIFY
Peel each wild salsify and, before peeling the next, place into the milk. Blanch them in boiling milk for 30 seconds, remove and transfer to a tray with the butter, star anise, cardamom and black pepper. Oven roast at 130°C, turning every 10 minutes, until
golden brown. Set aside.

SPANISH SALSIFY
Peel the Spanish salsify, use a Japanese mandoline to slice thinly and soak in the water with ascorbic acid. Glaze with the finely minced shallot and butter until the slices are pliable enough to roll.

PLATING
Arrange two wild salsify on each plate, two grape halves (previously blanched in boiling water for 10 seconds, shocked in ice water, peeled and seeded) and the grape gel. Brush the plate with rosemary sauce, add a salsify roll, rosemary flowers atop the salsify, one white grape per portion and then the grouper.

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Turbot Celeriac Sorrel by Mauro Colagreco

Turbot Celeriac Sorrel - Copyright Eduardo Torres

SERVES 4

FOR THE CELERIAC PURÉE
Celeriac, 300 g
Butter, 100 g
Milk, 50 cc
Salt

FOR THE SMOKED SAUCE
Extra virgin olive oil
Garlic, 1 clove
Dog cockles (cleaned and drained), 1 kg
Water, 100 cc
Melted butter, 700 g

FOR THE TURBOT
Turbot fillet with skin (min. 700 g approximately), 1
Clarified butter

PREPARATION

CELERIAC PURÉE
Peel and cube the celeriac. Cook the cubes in butter, without allowing them to colour. Add the milk, then cover the pan with baking parchment. The celeriac must be cooked rapidly and needs to be soft. Process in a blender (such as Vitamix) until smooth. Season
with salt.

SMOKED SAUCE
Heat the olive oil in a saucepan, add the crushed clove of garlic, dog cockles and water, and cook for 15 minutes. Pass the cooking liquid through a fine strainer; the yield is approximately 700 cc. Add the 700 g of melted butter to the cooking liquid and transfer to a baking pan. Place the pan in a smoker using copper beechwood for 20 minutes. Reserve in a deep but not wide saucepan.

TURBOT
Bake the turbot for 8 minutes in a 75°C combi oven set at 10% humidity. When done, remove the skin and cut into approximately 90 g portions. Brush with clarified butter.

PLATING
Rapidly sauté 50 grams of sorrel in olive oil, then arrange it in the centre of the plates. Set a quenelle of the celeriac purée on the side of the sorrel and the fish atop. Use a hand blender (such as Bamix) to emulsify the very hot sauce and distribute it around the fish. Finish the plates with wild sorrel leaves and fleur de sel.

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