Vanilla crème brûlée by Tom Kerridge

creme brulee6363

Vanilla crème brûlée is one of those classic desserts that everyone knows about and loves. And it’s been on the menu at The Hand & Flowers right from the very start. As far as I’m concerned, the key to a properly perfect brûlée is to have three distinct flavours that you taste – vanilla, eggs and caramel – so that it’s not just a sweet, creamy dessert. And I’ve got Alex Bentley to thank for teaching me that. This is 100% the brûlée recipe I was cooking as a young chef at Monsieur Max, where he was head chef. I think Alex was given or inherited the recipe from Max Renzland, the restaurant’s chef-patron. Apparently, it was an old Elizabeth David recipe; she must have learnt it during her travels in France, so goodness knows how old it really is.

Until Alex taught this recipe to me, most crème brûlée recipes I’d come across were sweet and made only with egg yolks. This one uses whole eggs and just a small amount of sugar. It was a game changer for me. I suddenly knew how to make a magical crème brûlée. The technique that really brings the dessert to life is its caramelisation on top. Instead of just melting the sugar, Alex taught me to caramelise it really heavily. At Monsieur Max, customers sometimes complained that the sugar was burnt, but that’s the whole point. It’s supposed to be; the caramelisation makes it taste toasty and nutty. You end up with a smooth, vanilla dessert that’s creamy with a bittersweet crunchy topping.

We match it at The Hand & Flowers with an Innis & Gunn craft beer rather than a dessert wine. The beer’s aged in old whiskey barrels so it has this really rich toffee, creamy flavour, which harmonises beautifully with the
crème brûlée.

serves 6

750ml double cream
1 vanilla pod
4 medium free-range eggs
30g caster sugar

Put the cream and vanilla pod into a heavy-based saucepan and bring to the boil over a medium heat. Remove from the heat and leave to infuse for 30 minutes.
Beat the eggs and sugar together in a bowl until smoothly blended. Bring the vanilla-infused cream back to the boil, then slowly pour onto the beaten egg mixture, whisking as you do so to combine.

Pour the mixture back into the pan and cook, stirring constantly, over a medium-low heat until the custard thickens and reaches 88°C (check the temperature with a digital probe). Immediately remove from the heat and pass through a fine chinois into a clean bowl.

Press a layer of cling film onto the surface to prevent a skin forming and leave to cool for 20 minutes or until the custard is at room temperature. Pour the custard into a high-powered jug blender (Vitamix) and blitz for 30 seconds; this will lighten it slightly.

Now pour the custard into crème brûlée dishes or ramekins, dividing it equally (about 125ml per dish). Cover each dish with cling film, leaving a small gap on one side, to allow any moisture to evaporate. Stand the dishes on a tray and place in the fridge to set; this will take about 3 hours.

Caramel glaze
200g demerara sugar

When ready to serve, sprinkle a generous, even layer of demerara sugar over the surface of each set custard. Wipe the edge of the dish with a clean cloth.
Using a cook’s blowtorch, caramelise the sugar, starting from the edges and working towards the centre. Take the caramel to a dark brown – this dish is all about  balancing the rich creamy egg custard with the slightly bitter caramel flavour.
Leave to cool for about 5 minutes before serving.

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Coming soon

Glazed apple tart by Calum Franklin

The Pie Room Book dishes

The slightly more elegant sibling of the classic apple pie, this tart is a stunning dessert. It has similar flavours to a tarte tatin as the sugar caramelises as it cooks. You could serve this tart with clotted cream to balance the sweetness of the apples.

Serves 6

300g classic puff pastry (or shop-bought)
200g frangipane (see below)
80g caster sugar
80g unsalted butter, softened
6–8 Pink Lady or Granny Smith apples
20g icing sugar
clotted cream, to serve

Line a baking tray with parchment paper. On a lightly floured surface, roll out the pastry into a large circle about 5mm thick. Slide the rolled-out pastry onto the lined baking tray and rest in the refrigerator for 15 minutes or in the freezer for 10 minutes. Remove the tray from the refrigerator or freezer. Trim the edges of the pastry into a neat circle that measures 24cm in diameter and return to the refrigerator or freezer.

Once chilled, remove the pastry from the refrigerator or freezer, and preheat the oven to 185°C fan/200°C/gas mark 6. With the pastry still on the lined baking tray, and leaving a border of 2cm around the edge, spread around 200g of the frangipane evenly across the pastry.

Using a pastry brush, mix the caster sugar and softened butter together to make a paste.

Peel and core the apples. Using a mandoline, slice the apples to 2mm thick. Take just over one-quarter of the slices and fan them out in a circle around the outer edge, keeping in line with the edge of the frangipane. Roughly brush the apples with some of the butter mixture.

Repeat with the remaining apple slices and butter mixture to create concentric circles until the pastry is covered. Make sure the top layer of apple slices is evenly coated with the butter mixture.

Place the tray in the preheated oven and bake the tart for 30 minutes or until the apples are starting to caramelise and the pastry is beginning to crisp up.

Remove the tray from the oven. Using a sieve, dust the tart with the icing sugar and then lay another sheet of parchment paper over the top of the apples. Take a second baking tray and lay it on top of that parchment paper. Using a dish towel or oven gloves to protect your hands, quickly flip the tart over so the apples are now facing downwards on the new tray. Lightly press down the top tray and then remove it and the original parchment paper. Return the tart to the oven for a further 20 minutes.

Remove the tart from the oven. This time place a serving plate or platter on top of the pastry, and then flip the tart again. Check the apples are evenly glazed and caramelised. If it needs a little longer, flip the tart back again and return it to the oven for a further 10 minutes. Serve warm with spoonfuls of clotted cream.

Frangipane

225g butter, softened
225g caster sugar
1 vanilla pod, deseeded, seeds retained
5 medium-sized eggs
225g ground almonds

Beat the butter, sugar and vanilla seeds together until the butter has turned pale and creamy. Add one egg at a time, whisking until each is fully incorporated before adding another.  Once all the eggs are incorporated, use a large metal spoon to fold in the almonds until well mixed.

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The Pie Room: 80 achievable and show-stopping pies and sides for pie lovers everywhere
£26, Bloomsbury Absolute

‘Triple Threat’ Chocolate Brownies by Jessie and Lennie Ware

271_Brownie_1 cropped

People have requested this recipe the most after hearing about it in the Ed Sheeran episode. A triple shot of chocolatey goodness, my doctor brother Alex says that it’s more like a ‘triple threat’ to your cholesterol levels, but don’t let that stop you from making them.

Get creative! Add whatever you like to your brownie batter. Generous chunks of white, milk or dark chocolate will all work well, as will roughly broken-up Oreos or any other chocolate confectionery. I generally add three things to mine, hence the triple threat. Experiment. Ultimately, whatever you choose will be delicious. 7

These brownies are best if slightly undercooked, so they still retain their gooeyness. What you want is a brownie that gets stuck to your teeth when eating it.

Makes 9–18 (depending on levels of greediness)

200g unsalted butter, cubed
200g dark chocolate, chopped
3 large eggs
275g caster sugar
90g plain flour
50g cocoa powder
250–300g ingredients of your choice to add to the mix (white, dark or milk chocolate, chocolate biscuits, your favourite chocolate bar), chopped

Preheat the oven to 190°C/170°C fan/gas 5. Line a 23cm square baking tin with baking parchment. Put the butter and chocolate into a heatproof bowl over a pan of barely simmering water and leave until they start to melt. Stir regularly, taking care not to burn the chocolate. Once completely melted, remove from the heat and leave to cool a little.

In a large bowl, using an electric whisk on high power, beat the eggs and sugar together until pale and almost doubled in volume. Add the cooled chocolate and butter mix and gently combine, using a figure-of-eight motion to fold the 2 mixtures into one another.

Sift the flour and cocoa powder together and then fold into the chocolate and egg mixture. Again, fold gently using a figure-of-eight motion until all is combined. It will appear dusty at first, but be patient and it will come together. Take care not to overdo the mixing: as soon as you cannot see any dusty flour mix, you are there.

Now add your extra ingredients and gently fold in, reserving a few to scatter over the top if you like. Transfer the mixture to the lined baking tin, levelling it out and pressing any reserved ingredients into the top of the mixture. Bake for around 35 minutes. The top should be just firm, but the middle should be slightly undercooked and gooey: it will continue to cook in the tin once removed from the oven. Leave the tin on a wire rack to cool before cutting into squares.

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Peach and Dulce De Leche Cake with Meringues & Cream by Rukmini Iyer

Dulche-de-Leche-Cake

In Uruguay, the original version of this cake is known as chajá – layers of light, fluffy sponge soaked in peach syrup, whipped cream, dulce de leche, peach slices and crumbled meringue. My version incorporates the dulce de leche and fresh peaches into an olive oil cake – serve it warm out of the oven, with crème fraiche or lightly whipped cream alongside.

Serves: 8
Prep: 15 minutes
Cook: 25 minutes

225g olive oil
225g dulce de leche (you can use tinned Nestlé caramel, sold next to the condensed milk)
50g caster sugar
4 free-range eggs
225g self-raising flour
1 teaspoon baking powder
3 under- to just-ripe peaches, thinly sliced
TO SERVE
175g dulce de leche (this is the remaining caramel in the tin)
A handful of crushed shop-bought meringues
Crème fraîche or lightly whipped cream

Preheat the oven to 160°C fan/180°C/gas 4.
In a food processor or by hand, mix the olive oil and dulce de leche together with the sugar until well combined, then beat in the eggs, one at a time. Fold in the flour and baking powder, then pour into a 26cm by 20cm roasting tin or cake dish.
Arrange the sliced peaches over the batter, then transfer to the oven and bake for 25 minutes, until golden brown and a skewer inserted into the middle comes out clean.
Let the cake cool in the tin for 10 minutes.
Melt the remaining dulce de leche in a pan until smooth and pourable, then drizzle this over the warm cake. Scatter with a handful of crushed meringues, then serve with crème fraîche or lightly whipped cream alongside.
Notes: As this cake contains fresh fruit, if you are not eating it on the day you make it, store it in the fridge. I like to warm it up slice by slice in the microwave – 30 seconds on high.

Extracted from: The Roasting Tin Around the World Global One Dish Dinners by Rukmini Iyer (Square Peg) 14th May, £16.99 HBK Photography by David Loftus. Follow Rukmini on instagram @missminifer

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The Incredible Lemon Pie from Big Momma Cucina Popolare

279 Tarte Citron.jpg

Lemon meringue tart (pie)

Per 6 amici

Preparation time: 25 minutes
Chilling time: overnight
Cooking time: 30 minutes

Ingredienti
For the pastry (pie dough)
90 g/3 and 1/4 oz (6 tablespoons) unsalted butter
20 g/ 3/4 oz (scant 3 and 1/2 tablespoons) ground almonds (almond meal)
50 g/1 and 3/4 oz (generous 1/3 cup) icing (confectioners’) sugar
2 large (US extra large) eggs
150 g/5 oz (1 and 1/4 cups) plain (all-purpose) flour
1/2 teaspoon salt
For the lemon custard
1 leaf (sheet) gelatine
3 unwaxed lemons
3 eggs
70 g/2 and 1/2 oz (1/3 cup) caster (superfine) sugar
140 g/5 oz (1 and 1/4 sticks) unsalted butter
For the Italian meringue
230 g/8 oz (scant 1 and 1/4 cups) caster (superfine) sugar
2 tablespoons water
juice of 1 lemon
4 egg whites

Come fare

Make the pastry. In a bowl, soften the butter with a spatula. In a mixer with a paddle (flat beater) attachment, beat the softened butter, ground almonds (almond meal) and icing (confectioners’) sugar until smooth. Then add the eggs, one at a time, while beating. Incorporate the flour and salt. Mix the pastry dough until crumbly. Form the dough into a ball, wrap in clingfilm (plastic wrap) and rest overnight in the refrigerator.

Make the lemon custard. Soften the gelatine in a bowl of cold water for 5 minutes. Zest two of the lemons and squeeze all three. In a bowl, beat the eggs with a fork. Combine the lemon juice, sugar and butter in a pan and bring to the boil. Gradually add the eggs, incorporating with a whisk. Cook over a low heat until the mixture comes to a gentle boil.

Pour the mixture into a bowl. Squeeze the gelatine and incorporate. Add the lemon zest. Use an immersion blender to mix well. Put into an airtight container and rest overnight in the refrigerator.

Preheat the oven to 175°C/350°F/Gas Mark 4). Roll out the pastry dough into a 6-mm/1/4-inch-thick disc. Grease a tart pan with butter and line with the pastry. Bake in the preheated oven for 15 minutes.

Make the Italian meringue. Dissolve the sugar into 2 tablespoons of water and the lemon juice in a pan over a low heat. Bring to the boil and cook until the mixture reads 120°C/250°F on a cooking thermometer. If you don’t have a cooking thermometer, put a little of the syrup in a spoon and let one drop fall into a glass of cold water. If it forms a small, soft ball, the syrup is ready. In a grease-free bowl, whisk the egg whites to stiff peaks. Pour the syrup in a thin stream into the meringue while whisking until the mixture cools.

Fill the pastry case (shell) with the lemon custard. Use a plastic spatula to cover the tart with meringue, creating a dome in the centre. Caramelize with a chef’s blowtorch. Chill in the refrigerator for 1 hour before serving.

Cool to know
‘If it’s not big, it’s not big enough’ is one of our mottos, so now you know why our meringue stands 20 cm/8 inches high…

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Salted Chocolate and Caramel Tart by Fergus Henderson

Salted Chocolate and Caramel Tart - photo credit Jason Lowe

To serve at least 16 – this is a very rich tart, you will not need very much

Here is an expression of the gradual erosion of chocolate. Fergus notes that the increasing challenge of finding a chocolate bar that does not contain salt is an example of a good idea going too far. For years his loyalties have lain solidly with Cadbury’s Fruit and Nut Bar – affectionately called ‘Fnerr’. But of late, he laments, he has begun to recognise its rough edges. Fergus and Fnerr have parted ways. In spite of (or maybe evidenced by) a little recent saturation, the combination of chocolate, caramel and salt
is still a good idea, and so here is our tart. A very rich tart, you will not need very much.

Base
200g plain flour
45g cocoa powder
7g bicarbonate of soda
180g demerara sugar
25g caster sugar
5g Maldon sea salt
225g unsalted butter, softened
225g dark chocolate, chopped finely –
the pieces should be smaller than
a chocolate chip

Caramel
225g caster sugar
70g unsalted butter, cut into chunks
80ml double cream

Chocolate filling
500g double cream
40g glucose
400g dark chocolate, broken into pieces
40g butter
Sea salt, for sprinkling
First make the tart case. It is easiest by far to use a machine for this. Mix together the flour, cocoa powder, both sugars and the salt, place in a food processor with the butter, and whizz until a loose dough forms. At this point add the chocolate and mix again. Wrap in cling film and allow to rest for half an hour or so.

If you are making the pastry any further in advance, take it out of the fridge in good time – you need the softness of room-temperature dough for it to work. When ready, butter and flour a tart case and roll the pastry between two sheets of baking parchment – the shards of chocolate would tear cling film, but the dough is too sticky to be rolled loose. Line the case with the pastry, rolled to around 4mm thick, line the pastry with foil or cling film, fill with baking beans and bake in a medium oven for 25 to 30 minutes.

When you remove the case from the oven, wait 10 minutes before removing the beans, otherwise the hot, soft pastry may tear. Once you have done so, press the base and sides all over with the back of a spoon while it is still warm – the aim here is to smooth the interior ready for the caramel,  pushing down the inside corners which may have risen and rounded a little in the baking.

Once the case is cool, make your caramel. It is essential to move quickly when the caramel is ready, so ensure that all your ducks are in a row before you start. Place the sugar in a scrupulously dry pan and melt over a medium high heat. Do not stir! Stirring will result in a crystallised disaster. Swirling the pan a little is allowed. By the time the sugar has dissolved you should have a good colour, trusting that it can be quite dark and still be comfortable. Throw the butter in first and follow with the cream, whisk them together quickly and, at the very moment that they are smoothly incorporated, pour it into the case immediately. With speed, pick up your tart case and move it around, tilting it to ensure that the caramel covers the entire base. Leave aside to cool.

Finally, heat the cream with the glucose and take it just shy of a simmer. Place the chocolate and butter in a bowl and pour the hot cream over the chunks in three stages, stirring gently to incorporate – the first will melt the chocolate, the second will loosen the mixture and the third will make the smooth ganache. Then pour the chocolate mixture into the tart and leave to cool and solidify. Sprinkle with a little sea salt and serve with crème fraîche.

Extracted from The Book of St John by Fergus Henderson and Trevor Gulliver (Ebury Press, £28 hbk) Photography by Jason Lowe

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The Book of St John: Over 100 Brand New Recipes from London’s Iconic Restaurant
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Fruit Soup with Verbena by Michel Roux Jr

fruit soup

(SOUPE DE FRUITS ROUGES À LA VERVEINE)

This beautiful, verbena-flavoured dessert is summer in a bowl. And it is even better with a few little madeleines on the side.

Serves 4

75g caster sugar
2 tbsp blossom honey
2 fresh verbena sprigs (or a handful of dried)
500g mixed berries (strawberries, raspberries, blackberries, redcurrants, blackcurrants)
freshly ground black pepper (optional)

Pour 500ml of water into a pan, add the sugar and honey and bring to the boil.  Add the verbena and simmer for 2 minutes. Take the pan off the heat, cover and leave to infuse for about 10 minutes. Remove the verbena. Pour the liquid into a bowl, add the fruit, then leave to cool. Chill the soup in the fridge until it is very cold. Just before serving I like to add a little freshly ground black pepper.

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Salted Caramel Cacao, Malt Ice Cream by Robin Gill

Salted Caramel - 0181One of the first dishes to be created at The Dairy, this recipe has been improved and enhanced by the quality of the chocolate we now use and the addition of a special malt we buy from a local brewery. A well-known chef said this about the dessert: ‘I would run completely naked across the Common just to have that again.’ If you are left with any excess truffles, they can be stored in the freezer and served as petits fours.

Serves 6–8

Chocolate Truffles

50g unsalted butter, cut into small cubes
100ml double cream
250g 72% dark chocolate buttons (or chopped dark chocolate)
40g cacao nibs
a pinch of Maldon sea salt
cocoa powder, for dusting

Put the butter in a pan over a high heat and cook until it starts to foam and brown and has a nutty aroma. Stir in the cream, then bring just to the boil.

Pour this mixture over the chocolate in the bowl of a stand mixer fitted with the balloon whisk attachment. Whisk on a low speed until the chocolate has fully melted. Turn up the mixer speed gradually until the mixture begins to whip. When it is light and aerated, add the cacao nibs and salt, and mix on a high speed briefly to incorporate.

Transfer the mixture to a disposable piping bag and snip off the end. Pipe into lengths (1.5cm in diameter) on greaseproof paper. Freeze before roughly cutting into pieces (about 1.5cm long). Dust with cocoa powder. Keep in the freezer until required.

Chocolate Soil

250g ground almonds
150g demerara sugar
150g buckwheat flour
80g cocoa powder
1 teaspoon Maldon sea salt
140g unsalted butter, melted

Preheat the oven to 160°C fan/180°C/Gas Mark 4. Mix together all the dry ingredients in a stand mixer fitted with the paddle attachment. Add the melted butter and mix to combine.

Spread the mixture on a baking tray. Bake for 30 minutes, stirring the mixture every 10 minutes. Allow to cool, then store in an airtight container in a cool, dry place.

Salted Caramel

300g caster sugar
7.5g trimoline
75g unsalted butter, diced
300ml double cream
100g 66% dark chocolate buttons (or chopped dark chocolate)
1 teaspoon Maldon sea salt

Place the sugar and trimoline in a pan. Add a little water to make a ‘wet sand’ consistency. Set over a high heat to melt the sugar, then boil until the syrup reaches a dark caramel stage (165–175°C). Remove from the heat and whisk in the butter a third at a time. Continue whisking until smooth.

In a separate pan, warm the cream until it just reaches boiling point. Pour over the chocolate in a bowl and whisk until smooth and glossy.

Pour the cream/chocolate mixture into the butter caramel and whisk together until smooth. Add the Maldon salt and mix through.

Chocolate Tuile

50g liquid glucose
50ml double cream
125g unsalted butter
155g caster sugar
¾ teaspoon pectin powder
175g cacao nibs

Put the glucose, cream, butter and 150g of the sugar in a pan and melt together. Mix the pectin with the remaining sugar and add to the pan. Boil the mixture until it reaches 107°C. Remove from the heat and allow the mixture to cool down to at least 45°C before folding through the cacao nibs.

Roll out the mixture between sheets of greaseproof paper as thinly as possible. Freeze and keep in the freezer until ready to bake.

Preheat the oven to 160°C fan/180°C/Gas Mark 4. Place the frozen tuile sheet (still with greaseproof paper top and bottom) on a large baking tray and set a large wire rack over the top to hold down the edges of the greaseproof paper. Bake for about 15 minutes or until the tuile is set and doesn’t appear to be liquid when the tray is gently knocked. Allow to cool before breaking into shards. Store in an airtight container.

Malt Ice Cream

375ml double cream
375ml whole milk
35g milk powder
25g trimoline
1 teaspoon Stab 2000 (ice cream stabiliser)
75g malt extract
90g pasteurised egg yolks
65g caster sugar

Put the cream, milk, milk powder, trimoline, Stab and malt extract in a pan. Whisk together and bring to the boil. In a large bowl, mix together the yolks and sugar. Pour a third of the hot mixture over the yolks and sugar and whisk together. Add this to the rest of the hot mixture in the pan and whisk in. Heat until the temperature of the mixture is 85°C.

Pass through a chinois or very fine sieve into a deep tray set over ice to cool the mixture quickly. Once cool, churn in an ice cream machine according to the manufacturer’s instructions. Store in the freezer.

Assembly

Spoon some of the salted caramel over the bottom of each plate. Sprinkle with a few truffles and scatter over chocolate soil. Add a couple of quenelles of ice cream to each plate and finish with a few tuile shards.

Extract taken from Larder by Robin Gill (Absolute Press, £26)
Photography © Paul Winch-Furness

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Larder: From pantry to plate – delicious recipes for your table

Room for Dessert by Will Goldfarb

room-for-dessert-2d.jpg

What is it? Will Goldfarb has worked in the kitchens of Ferran Adria, Tetsuya Wakuda, Paul Liebrandt, and Morimoto. He is one of the top pastry chefs working today and is featured in the fourth series of acclaimed Netflix series Chef’s Table. In his first book, he shares 40 recipes, plus additional basics like sorbets, gelatos and mousses, from his acclaimed Room4Dessert restaurant in Bali.

What’s the USP? Along with the highly complex and bizarrely-named recipes called things like ‘Footsteps, or Burbur Injin’ (black rice pudding), each with their own obscure and sometimes almost unintelligible introduction, the book contains an extended biographical section and ‘The Lab of Ideas’ that provides an insight into Goldfarb’s unique creative process.

What does it look like? The modern, often minimalist desserts are all illustrated with overhead photographs which do some of the less visually impactful creations like Pom Pom Yeah: The Horse Thief (a take on Mont Blanc) no favours at all and makes you wonder what Violet de Meuron (frozen horchata with a dramatic purple hibiscus and onion skin ‘veil’) would look like from another angle.

Is it good bedtime reading? Let’s put it this way, there’s plenty to read, but whether or not you should be looking at it before trying to go to sleep is another matter. Goldfarb has a fascinating life story to tell but does so in such an oblique manner that he sacrifices clear narrative substance for a ‘clever’ turn of phrase and an odd pseudo-poetic style (not dissimilar to that employed by Sean Penn in his much-derided recent novel Bob Honey Who Just Do Stuff),  that your frustration with the many gaps in the story might well keep you up at night. Best stick with the latest Laura Lippman.

Will I have trouble finding ingredients? Not at all, as long as you’re in Bali. Otherwise, see how you go asking for lontar nectar, fresh moringa leaves or snake fruit at your local Nisa (this is unfair, many of the recipes don’t include exotic ingredients and you should be able to source most of what you need with some diligent online shopping).

What’s the faff factor? This is a book by a progressive, experimental professional pastry chef written for his peers. What do you reckon it’s likely to be?

How often will I cook from the book? Determined hobbyist cooks who want to one-up their nerdy friends or intimidate their dinner party guests with their dazzling pastry skills will be all over this like a rash. Mere mortals will simply admire from the safety of their sofas.

Killer recipes? It’s difficult to say. Is Plat du Jour’s combination of yoghurt sorbet, coffee anglaise, grilled aubergine puree, vermouth gel, white chocolate and ginger ‘Toblerone’ and brioche, soaked in milk and blonde coconut nectar and cooked French toast-style, a winner? Who knows until you’ve made it and eaten it.

What will I love? You will have never read a cookbook quite like it.

What won’t I like? You will have never read a cookbook quite like it.

Should I buy it? If you are a professional pastry chef working at the cutting edge of cuisine, fill your boots. Others should approach with caution unless strongly attracted to whimsy and folderol.

Cuisine: Modernist desserts
Suitable for: Modernist pastry chefs
Cookbook Review Rating: 3 (or 5 if you’re a modernist pastry chef)

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Room for Dessert
£39.95, Phaidon